Monday, December 14, 2009

Dale Kidd. 1954-2009

The Madison music scene has lost someone who can only be described as nothing short of a regional icon. As I never got to meet Mr. Kidd, I asked someone familiar with him to honor him. The following post was written by local country artist and a favorite of the Mad Country Blog, James Travis:

Local musician and songwriter Dale Kidd passed away on Saturday 12.12.09 after a month long battle with the H1N1 virus and asthma. As a southern Wisconsin native, Dale knew just about everyone who was anyone in the regional music community. He had a generous smile, a patient ear, and, hands down, the best laugh on the planet.

Dale was a friend to me through the early days of the Madison Songwriter’s Group, days in dusty apartments, dark basements and other borrowed spaces – anyplace that would hold a dozen people or less and be tolerant of loud acoustic music. I never did write any songs with Dale but he worked with several songwriter friends of mine, most recently Andrew Nath in the acoustic R&B duo The Hang Loueys (also known as White Dynamite!). If you had the chance to see them, you know how good they had become and how much Dale truly, thoroughly, enjoyed sharing his talent with Andy on stage.

Over the years Dale played in the acoustic duo Kydd & Byrd, the rock band Coffee and Alcohol, The Skates, the Dale Savage Band and many others. He traveled the world and had many great stories to tell. But he always loved and returned to his hometown(s) of Richland Center, Madison, and Mt. Horeb, Wisconsin. Dale worked for the Safety division at UW-Madison. It wasn’t uncommon for him to slip away during a lunch break into a room stocked with rows of fire extinguishers and pull out his guitar. I joined him there just once but his spirit of encouraging collaboration is an inspiration I share with many.

Our mutual songwriter friend Aaron Nathans recently shared a story via email about spending time with Dale in that room as well:
“We gathered after work in the sterile back room of the Safety building at UW where he worked, amid dozens of fire extinguishers and steel stools scraping against a concrete floor. One night around Valentine's Day he asked me to pick up a few boxes of candy hearts and we spilled them on a table, read the messages out loud and used them to write a song while we gobbled them down.”

Aaron went on to write:
“For a guy that didn't crave attention and always gave credit to someone else, he made an immense impact on my life. Before our current president, Dale was all about "Yes you can." He gave me the confidence to be a songwriter, to keep going, pushing my limits. But more than our collaborations, he was a buddy, and I will miss him more than I can say. Our circle of friends in Madison will always be incomplete, but warmed forever by his memory. The sum of our parts will live on in our songs. Yet there will always be a Dale-sized hole in my heart.”

I include this last quote because I think it touches on what a lot of us are feeling. Dale was probably like a brother to many of the veteran regional musicians but to a group of us “younger” songwriters, he was like a favorite uncle who encouraged and cheered our many various artistic and life pursuits.

Whether or not you knew Dale, rest assured he’s now in a better place. Heaven, if you believe in that sort of thing, has a new house guitarist. It’s hard to sum up a man’s life in just a few words so I encourage readers to also look and listen. Visit www.dalekidd.com for some of Dale’s music, photos, and to read some touching sentiments written by friends far and near. Goodbye Dale, and Rest in Peace. You will be greatly missed.

Wednesday, July 8, 2009

The Way Back Home "Review" and meta-criticism

Ghost Town Council had the great honor of opening for Whitney Mann and the Boys' CD release party way back on May 29th at Cafe Alchemy. I have since indicated an interest in reviewing the release here on the Mad Country blog. But since that occurred, I realized that I would be terrible at reviewing an album (given enough listens, I think I would like nearly anything). In fact, I find the whole practice to be pretty miserable. Especially since once personal favorite, Pitchfork.com levied this as a "review" of Jason Isbell and the 400 Unit's self titled album.
Yet while Hood's unconventionally hoarse yelp attracted twang-wary indie fans and Cooley's gunslinger drawl was irresistible no matter how you felt about country, Isbell's booming, manful voice irredeemably marked him out as the least hip of the Trucker singers for the duration of his stay. Being the overweight guy in the group for a spell probably didn't help either.

Even when Isbell slimmed down considerably, however, he still retained the voice of a guy who takes ham with every meal.

So rather than go into the subtleties of why Andrew Harrison's use of the pedal steel guitar is perfect (yes, perfect), or why Whitney Mann might be Madison's most complete alt-country singer and songwriter, or just how much I appreciate the tightness of the rhythm section, I am simply going to say that this album is fantastic.

It's easy to see how Whitney made it on that Triple M contest Project M, and it's just as easy to see why Whitney and the Boys were invited to Michael Feldman's Whad'Ya Know?. Whitney offers a fresh take on the Madison (alt-)country scene that is already burgeoning with talent. But great sound, high energy, and tight feel doesn't always translate into a great album. But it works here.

The production on "The Way Back Home" is great. I'm not familiar with how Milwaukee producer J. Christopher Hughes put the album together, but the mix is incredible. It has the old time feel of 'put the mic in the room and let the band do it.' From top to bottom, this CD was a great experience. Colorful drums, tight harmonies, perfect pedal steel work (there it is again), solid bass playing, and beautiful singing really makes this album come together and come alive.

The songwriting on the album is enthralling. But it goes beyond handing out a chord progression to a band, and having lyrics set to it. The band understands their role, and they provide for a great trip through this album. My personal favorite: "I Said," is the greatest example of how the band and lyrics weave in and out through one another and present "the sound."

On the negative(ish) side, I will say the album is too short. But honestly, if that's the worst thing that you can say about an album, then really, is it a bad thing? I mean, clearly you want to leave the audience wanting more, and this release does that for sure.

So to Whitney Mann, Andrew Harrison, Kyle Jacobson, and Tim Russell I say well done.

You can pick up "The Way Back Home" at the following url:

http://cdbaby.com/cd/whitneymann


Thanks for reading, and don't forget to support local music.

Edited 7/8/09
Edited 8/19/09